{"id":10170,"date":"2025-01-03T10:14:17","date_gmt":"2025-01-03T09:14:17","guid":{"rendered":"https:\/\/umbertostefanelli.com\/photogeisha\/?p=10170"},"modified":"2025-01-03T10:14:17","modified_gmt":"2025-01-03T09:14:17","slug":"il-viaggiatore-che-soffre-quando-arriva-la-sera-the-traveler-who-suffers-when-evening-comes","status":"publish","type":"post","link":"https:\/\/umbertostefanelli.com\/photogeisha\/?p=10170","title":{"rendered":"Il viaggiatore che soffre quando arriva la sera &#8211; The traveler who suffers when evening comes"},"content":{"rendered":"<p><a href=\"https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-10171 size-full\" src=\"https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre.jpg\" alt=\"\" width=\"1276\" height=\"1711\" srcset=\"https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre.jpg 1276w, https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre-224x300.jpg 224w, https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre-764x1024.jpg 764w, https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre-768x1030.jpg 768w, https:\/\/umbertostefanelli.com\/photogeisha\/wp-content\/uploads\/Il_viaggiatore_che-soffre-1145x1536.jpg 1145w\" sizes=\"(max-width: 1276px) 100vw, 1276px\" \/><\/a><\/p>\n<p>Umberto Stefanelli per TheUnique Magazine<br \/>\n<a href=\"https:\/\/www.theuniquemagazine.it\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #722d03;\">https:\/\/www.theuniquemagazine.it<\/span><\/a><\/p>\n<p>Realt\u00e0 contemporanee di \u201ccitt\u00e0 ideali\u201d concepite come formicai, come alveari anarchici. Piramidi di Maslow dilatate all\u2019ennesima potenza, con una produzione folle di manie, mode e bisogni.<\/p>\n<p>Concetti teorici, camaleontici e sicuramente relativi di una verit\u00e0 il pi\u00f9 delle volte sacrificata sull\u2019altare dell\u2019incertezza.<br \/>\nSguardi di metallo, vetro e cemento. Megalopoli allucinanti in cui l\u2019uomo moderno diventa ostaggio di se stesso.<\/p>\n<p>Esistenze stratificate su carta carbone, senza un\u2019alternativa cosciente di pensiero. Un inganno dei sensi, una svista dell\u2019anima per il viaggiatore che soffre quando arriva la sera.<\/p>\n<p><strong><span style=\"color: #722d03;\">ENGLISH<\/span><\/strong><\/p>\n<p><span style=\"color: #722d03;\">Contemporary realities of &#8216;ideal cities&#8217; conceived as anthills, as anarchic beehives. Maslow&#8217;s pyramids extended to the nth power, with an insane production of manias, fashions and needs.<\/span><\/p>\n<p><span style=\"color: #722d03;\">Theoretical, chameleon-like and certainly relative concepts of a truth most often sacrificed on the altar of uncertainty.<\/span><br \/>\n<span style=\"color: #722d03;\">Glimpses of metal, glass and concrete. Hallucinatory megalopolises in which modern man becomes hostage to himself.<\/span><\/p>\n<p><span style=\"color: #722d03;\">Existences layered on carbon paper, without a conscious alternative of thought. A deception of the senses, an oversight of the soul for the traveler who suffers when evening comes.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Umberto Stefanelli per TheUnique Magazine https:\/\/www.theuniquemagazine.it Realt\u00e0 contemporanee di \u201ccitt\u00e0 ideali\u201d concepite come formicai, come alveari anarchici. Piramidi di Maslow dilatate all\u2019ennesima potenza, con una produzione folle di manie, mode e bisogni. Concetti teorici, camaleontici e sicuramente relativi di una verit\u00e0 il pi\u00f9 delle volte sacrificata sull\u2019altare dell\u2019incertezza. Sguardi di metallo, vetro e cemento. Megalopoli&#8230; <\/p>\n<div class=\"clear\"><\/div>\n<p><a href=\"https:\/\/umbertostefanelli.com\/photogeisha\/?p=10170\" class=\"gdlr-button with-border excerpt-read-more\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false},"categories":[5,8],"tags":[21673,2399,21672,19223,20585,11424,19228,11946,16714,16718,16909,21645,17764],"_links":{"self":[{"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/posts\/10170"}],"collection":[{"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10170"}],"version-history":[{"count":3,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/posts\/10170\/revisions"}],"predecessor-version":[{"id":10174,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=\/wp\/v2\/posts\/10170\/revisions\/10174"}],"wp:attachment":[{"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/umbertostefanelli.com\/photogeisha\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}